We asked John Curl of Heartwood Cooperative to help us tell you about their company. Here's his report. We thank
him for the thoughtful article. The photos (from top to bottom) are Tom Brown, Gerard Laugier and John
Curl.
Heartwood is a cooperative of custom woodworkers sharing a well-equipped 3,000 square foot shop in West Berkeley,
California, where we have been for over thirty years. We share machines, knowledge, skills, energy,resources. Some of
us specialize in cabinetry, some in furniture.
The cooperative operates the shop, owns most of the equipment, provides
basic woodworking supplies such as glue, dowels, biscuits, nails and sandpaper, and provides insurance. We are each
responsible for a share of the upkeep,
maintenance and improvements. Each member is self-employed with his or her own business, and contracts jobs separately.
We help each other when needed. The
shop is a non-profit incorporated cooperative. We have full-time and part-time members. New members have a buy-in of
two months rent. Members do not own shares, so departing members are not bought out.
Important decisions are made at weekly meetings. We strive for consensus but also vote when necessary. No one has
any permanent shop job or position of power. There is a special job of dungaloz, which changes monthly in rotation.
“Dungaloz†is Armenian for “stupid little
darling,†and the dungaloz was created when Rick—who is Armenian, decided he
hated the title shop manager. The dungaloz makes sure all the basics are taken care of related to overall shop
functioning, and also chairs meetings. Other special jobs are bookkeeping and dealing with insurance.
On the first Wednesday of each month we have Shop Day, when we spend a half day doing clean up, maintenance, and
improvements, followed by a meeting. Two weeks later we have Clean-up Day, followed by another meeting, if we need one.
This second day usually takes only an hour.
Most of our machines are owned by the cooperative and some belong to individuals, but all are used and maintained
collectively. The shop is responsible for replacing any machine used by the shop that has been worn out or damaged.
Each of us has individual hand tools. When we need help on a job, we occasionally hire each other, but jobs are usually
limited to what one person can handle.
Full-time members have unlimited use of the shop; part-time members can use the shop up to twenty hours per week.
“Ghost†members have minimal “hobby†use of the shop;
this status is limited to former members.
Our cooperative system is typical of groups of artisans, where the methods of
production are basically individual. The artisan cooperative is clearly
distinguishable from the industrial worker cooperative, where the methods of production are collective. The former is
usually an association of self-employed members, while the latter is a business with the members employees. Heartwood
is now over thirty years old. Over the years more than forty woodworkers have been members of our shop. The median
average stay has been around five years. We have been able to maintain a cohesive center, while membership has slowly
changed. Our longevity can be attributed partly to our system being very simple and practical, arising from our actual
needs and the conditions of the industry itself. Our policy of maintaining an affordable buy-in has kept our shop open
to new members with limited financial resources. If we had shares which accrued value, the shop would probably become
unworkable over time, since most incoming members do not have extensive financial resources to buy out departing
members. Much of the turnover in the shop has come because, for one reason, people move around a lot these days, and
for another reason, unfortunately even in a cooperative it is still not easy to make a good living doing custom
woodworking. Many former members have gone on to different better-paying professions. Woodworking is rewarding but not
very lucrative. As quality increases, fine woodworking becomes increasingly skilled and labor intensive, yet financial
compensation does not always rise in proportion. Mid-quality cabinetry often pays better than higher quality. Part of
your motivation has to be the craft itself.
I am the only remaining member of the original group of six who founded the shop in the fall of 1973. We started
Heartwood because all needed each other, and because we wanted to work with others in an equal and democratic situation
rather than becoming an employer or an employee. We each came into the shop without the appreciable economic resources
needed to set up a woodshop on our own. Individually our technical knowledge was not always adequate, but together we
managed to fill in the gaps.
Bob, John P., Sherry, Eric, Curt, and I had been working together for several years previously, in Bay Woodshop, before
we formed Heartwood. We original six had been part of a larger organization called Bay Warehouse Collective, which also
consisted of a print shop, an auto repair shop, an electronics studio, a pottery studio, a darkroom, a theater, and a
food buying cooperative. Bay was a creation of its era, the early ‘70s, when many
people––most of them young––were trying to
create more equitable work and social structures in their lives.
Bay Warehouse was a centralized worker collective. It was much more utopian than Heartwood, with all proceeds from
the shops going into a common kitty, and everyone getting paid according to their needs, at least in theory. In
practice, we were almost all young and without families, and, since Bay was always just scraping by, nobody ever got
beyond subsistence pay. Bay Warehouse in turn had been founded on the ruins of an
“alternative†high school called Bay High, which focused on teaching skilled trades in
a
non-authoritarian environment, meanwhile immersing the students in actual commercial work. Bay High folded when the
classroom teachers refused to join in sweeping the floors and taking out the garbage, so the shop workers kicked them
out. While both Bay High and Bay Warehouse Collective had fascinating histories, they are part of a different story.
Anyway, when Bay Warehouse folded due to cash flow problems in the fall of 1973, the woodshop, print shop and auto shop
all went our own ways. Each group stayed together and reorganized itself as a separate shop. Bay Printshop became
Inkworks, a worker cooperative. With machinery we inherited from Bay, Bay Woodshop reorganized ourselves into
Heartwood.
I started in woodworking in 1970 in a small kitchen cabinet factory in
Albuquerque, New Mexico, in what is known in the trade as a production shop. There were around twenty employees. I
started at the bottom, a sander. The work was hard and low-paying, and there was no union, but the worst part was my
shattered expectation that I would learn woodworking there. In this situation I would never get beyond journeyman. The
workers were always limited to particular operations, and large segments of the process were beyond the scope of the
job. I realized that I might enjoy being a woodworker if I could do it in a different context. I got that context first
at Bay Woodshop, then at Heartwood.
While we were Bay, our average skill level was around journeyperson. The shop would take in a job and the group would
collectively figure out how to build it. But we were constantly improving, as well as learning how to run a business.
By the time we formed Heartwood, we were all capable of making the leap from workers to self-employed artisans. The
shop, and not the job, became our common project.
An enormous amount of excellent work has passed through Heartwood over three decades, but the real story of the
shop has been the human story. A rich cross-section of humanity has also passed through the shop, with all the same
human foibles as the rest of the world. The shop has taken different flavors in the various mixes of people. Sometimes
it has been a good sit-com, sometimes a drama. There have of course been personality conflicts and struggles in the
shop over the years, dramas have been played out, and on occasion someone has had to leave. In the end, so far at
least, it has always turned out okay, and the shop has survived.
In the early days we always had many more applicants than we could handle. Working with your hands was attractive to
many young people in the 1970s and ‘80s. But with the dot-com boom, many fewer young people seemed
to be going into the trades, and it became more difficult to find new members. I guess they were just following the job
market.
While Heartwood has had a lot of continuity, it has also had several distinct incarnations. One group would fall
apart by losing key people, but then the shop would reform when new people joined. The early group soon included Jean
and Priscilla. In the late 1970s and ‘80s the group included Liz, Jed, Rick, Bill, Tom, Michael M.,
Robert, Lynn, Laurie C., Sara, Stu, Trent, Steve W., Shelly, and Closetman Dave. By the 1990s and
‘00s Heartwood members included Laurie M., Steve B, Mike M., Brad, Kim, Debi, Jim, Jason, Moses,
Real, Gerard, Joseph, Kristen, Susan, Chickie, and Peter. Every one of these people interacted, struggled, laughed,
shared good times and hard times, and made contributions. Every person was coming from somewhere in his or her life and
going somewhere.
People don’t miraculously change when they join a cooperative. To the contrary, a successful
co-op is structured to function around and to bring out the better parts of human nature. While all people have
tendencies which unchecked can destroy a co-op, such as territoriality, competitiveness and envy, some people have
worse cases than others. Extremely competitive people cannot work harmoniously in a cooperative. There have been a few
members who simply did not have cooperative personalities, who were overly self-serving, opportunistic, and one or two
played the system for what they could get out of it. But for most people, a situation stressing cooperation, sharing,
and trust serves to temper and minimize the opposite qualities.
Despite personality difficulties such as occur in every group, the great majority of Heartwood members have always
worked things out and had productive stays. A good number of former members stay in contact, and appreciate their time
in Heartwood as well spent, although they have moved on in their lives.
We currently have four full-time members, two part-time members, and three ghost members: Tom Brown, Gerard
Laugier, Kristen Delmage, Moses Jones, Peter Weege, Rick Magarian, Bill Powning, Susan Quinlan, and myself. We are just
losing a couple of members. After six years, Kristen is returning to her native Canada, and Susan has become a ghost
member, so we currently have openings for a full-time and a part-time member. If you know any woodworkers in need of a
good shop, tell them to give us a buzz (phone below).
In woodworking, as in many fields, while advanced technology has greatly expanded capabilities and productive
powers, it has at the same time narrowed the number of workers able to make a living at it independently, due to the
expense of machines and competition from mass production. The market forces set in motion by advanced technology in a
very competitive industry, make it very difficult for workers to be productive enough using simpler machines and
tools. A cooperative such as ours helps to reverse this process by democratizing access to the means of production.
Personally, after thirty-plus years, one of these days I know I’ll have to retire, but I still
enjoy working in the cooperative and I still get a lot out of the work. You don’t always get to know
everything about people’s lives when you work with them, even in a co-op, but you find appropriate
spaces for those relationships. You get to know them as work friends. If the work situation is harmonious, as it can be
in a well-functioning cooperative, you retain fond memories of those work friendships the rest of your life. The
process of woodworking is meditative and creative. Wood is a wonderful medium. The democratic interactive process of a
cooperative is also a wonderful medium to pass your work life in.
John Curl
2547 8th Street, Berkeley, CA 94710
510-845-4887
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